STORY LINE
PRODUCTION
Joana Hadjithomas and Khalil Joreige
| Animation: | Ghassan Halwani |
| Financed by: | Centre National du Cinéma et de l’Image Animée Arab Fund for Arts and Culture (AFAC) Doha Film Institute |
| With the support of: | Fonds francophone de production audiovisuelle du Sud Urban Distribution International SANAD |
| With the participation of : | Pascale et Mikael Zammar |
CAST & CREW
Lebanon / France – 2008 – color Nadim Asfar
| Duration | 75 minutes |
| Format | 35mm 2.35 Dolby SR |
| Actors | Catherine Deneuve Rabih Mroué |
| Directors | Joana Hadjithomas et Khalil Joreige |
| Images | Julien Hirsch |
| Sound | Guillaume Le Braz Sylvain Malbrant Emmanuel Croset |
| Editing | Enrica Gatolini |
| Editing consultor | Tina Baz Legal |
| Assistants directors | Wael Deeb Emile Sleilaty |
| Script | Zeina Saab de Melero |
| Production coordinator | Marianne Katra |
| Make up | Mina Malsumura |
| Hairdresser | Jean-Jacques Puchu-Lapeyrade |
| Costume dresser | Nadine Fenianos |
| Still Photo | Patrick Swirc |
| Music | Scrambled Eggs – Joseph Ghosn /Discipline |
| Produced by | Edouard Mauriat Anne-Cécile Berthomeau Farès Ladjimi (Mille et une productions – France) Georges Schoucair (Abbout productions – Lebanon) Tony Arnoux |
| In association with | COFICUP 2 – un fonds BACKUP FILMS |
| With the support of | Centre National de la Cinématographie Hubert Bals Fund – International Film Festival Rotterdam Banque Libano-Française CMA-CGM |
| With the participation of | Abbas Jaber Edmond Asseily and Ziad Abdelnour Fondation Groupama Gan pour le cinéma |
DIRECTOR'S NOTES
“On July 2006, during the war with Israel that broke out in Lebanon, we were stuck in Paris. For the first time, we were living the war at a distance, as spectators. The war was a real upheaval. It wasn’t just any war, or one more war. By plunging us again in a cycle of violence it crowned an historic evolution and was part of a more global division of the world, made more radical by 9/11. We badly wanted to do a film on this war but we were full of questions : In the face of a very violent war, of the spectacular images of television, what kind of images could we produce? What can cinema do in such situations of extreme violence ? We decided to ask this question in a direct way, to introduce fiction by way of a cinema icon, in a situation which seems to admit only a flood of images hastily termed real or documentary. Suggest to Catherine Deneuve, an actress we greatly admire and who, through her choices, represents Cinema, to drive till the border of South Lebanon together with Rabih Mroué, an artist and actor with whom we work constantly. The idea seemed close to alchemy. In such a context, what would their meeting produce? What emotion could arise? Would we be able to “show again” images of ruins and despear and make people react to it ? Would we be able to “see again” ?
SCREENINGS
- Cannes Film Festival, Official Selection – Un Certain Regard (France)
- Paris Cinéma (France)
- Toronto International Film Festival (Canada)
- Festival International du Film Francophone, Namur (Belgium)
- Antalya International Film Festival (Turkey)
- Ayam Beyrouth al cinamaiya (Lebanon)
- Gijón International Film Festival (Spain)
- Filmex International Film Festival (Japan)
- Französischen Filmtagen Tübingen (Germany)
- Dubai International Film Festival (United Arab Emirates)
- The countende, MOMA, New York (United States)
- Rotterdam International Film festival(Netherlands)
- Goteborg International Film Festival (Sweden)
- Bafici Buenos Aires (Argentina)
- Belgrade International Film Festival (Serbia)
- Sao Paolo International Film Festival (Brazil)
- Shashat’s 4th Women’s Film Festival (Ramallah)
- Instituto di valencia (Spain)
- Centro Galego de Artes da Imaxe (Spain)
- Stadtkino wien (Austria)
- Institut Français de Rabat (Morocco)
- Semaine du documentaire de Fès (France)
- Buenos Aires International Independent Film Festival (Argentina)
- Visions du réel Nyon (Switzerland)
- Miami Film Festival (United States)
- Tiburon International Film Festival (United States)
- Rome Film Festival, “Printemps du cinéma français” (Italy)
RELEASED IN
Lebanon : MADistribution France : Sheyllac Belgium: Les films de l’Elysée Canada: Film Option Portugal : Clap Filmes Russia : A-One Films Spain : Piramide Films United Kingdom : Soda Pictures
AWARDS
• Gijón International Film Festival, Spain – Non-fiction and Documentary Award • International Film Festival WATCH DOCS. Human Rights in Film, Warsaw, Poland – Special Jury Mention • Syndicat Français de la Critique de Cinéma et des Films de Télévision, Paris, France – Best Singular Film Prize
CONTACT
World sellers
Jean-Christophe SIMON
FILMS BOUTIQUE
Deautschland.
+49 177 621 6562
France.
+33 6 24 61 58 58
E-Fax.
+33 8 26 67 07 77


































